Victor Molev. Metamorphosis

 

Advertisements

Meet The Artist: Igor Samsonov

samsonov-18

Igor Samsonov. Salomea.

samsonov-15

samsonov-17

Igor Samsonov. Opinio. 

These amazing paintings, which could well be considered as works of classical masters, are the works of Igor Samsonov, an artist from St. Petersburg.

Born in Voronezh in 1963, he began to draw at the age of ten. In 1980 he graduated with honors from the School of Art and, in 1996, from the I.E. Repin State Academic Institute of Painting, Sculpture and Architecture in St. Petersburg. After graduating from the Academy, a thoughtful artist painfully searched for his style, that, by his own admission, he found only in 2003.

This slideshow requires JavaScript.

A great influence on the artist had a period in the history of late Gothic art. Mixing modern artistic techniques and that of the Renaissance give originality to the works of Igor Samsonov. The rich imagination of the artist,  the refined embodiment of images and the exquisite color scheme make the artist’s works unique.

samsonov-10

Lolita

samsonov-08
samsonov-07

samsonov-06

samsonov-01

Igor Samsonov. Birdman.

The original style makes his paintings easily recognizable, and although the influence of Dutch artists is felt in each painting, the works of Samsonov are quite self-sufficient depicting a unique world.

samsonov-10

Igor Samsonov. Praftor Domus.

Samsonov’s  most favorite works are paintings by Piero della Francesca, an Italian artist of the Early Renaissance, whose works are distinguished by a special harmony of images, balance, verified perspective and a notable solemnity and nobility.

samsonov-05Participation in numerous exhibitions in Russia, Germany, France, Italy, China, America confirms his undeniable talent. Igor Samsonov is considered one of the most talented contemporary artists of the famous school of St. Petersburg.

The original style makes his paintings easily recognizable, and although the influence of Dutch artists is felt in each painting, the works of Samsonov are quite self-sufficient depicting a unique world.
Samsonov’s  most favorite works are paintings by Piero della Francesca, an Italian artist of the Early Renaissance, whose works are distinguished by a special harmony of images, balance, verified perspective and a notable solemnity and nobility.

samsonov-04

Igor Samsonov. Music in the Garden.

Meet The Artist: Alex Kupalian

2. «Альба. Побег», 2015 г.

Alba. The escape

Silhouette of a woman in a lace mantilla, reclining on a patterned carpet, either asleep, or dead. As you know, the great Spaniard Francisco Goya painted the Duchess of Alba nude in anticipation of love. The young Russian artist Alexander Kupalyan depicts Alba on her deathbed with his face partially covered. Why?

Тhe artist, a young man in a white T-shirt smeared with paint, with a picture of Caravaggio on his chest:

 

Perhaps, it comes from childhood, which is remembered for an endless succession of funerals. Usually, the dead found their last shelter in our apartment, in the next room, literally behind the wall. At first I was terribly afraid of them, and then I got used to it. In the end, we all live in the presence of Love and Death. And it is still unknown who will knock on our door first. For me, Duchess Alba became the embodiment of Eros and Thanatos. And “Escape”… well, because the sunset was already burning down, the night was coming, and her soul would soon leave this earth, leaving only the perishable body on the carpet.

4. «Волна. Атландида», фрагмент, 2017 г.

“Wave. Atlantis”, fragment. 2017

The entire wall is taken up by a huge canvas “Wave. Atlantis”. Some frantic boiling emerald color, echoing in its richness with the paintings of old masters. It turns out that Alexander passionately loves the sea. Ready to draw it endlessly. But he is not interested in just seascapes, he wants to penetrate into the very thickness of the water. He seemed to be looking into the abyss. It already remotely looks like a method. Kupalyan’s gaze is not directed towards heaven, not up, but precisely downward, into a black twilight, curling under his feet.

5. «Помпеи. Шаг в вечность», фрагмент, 2017 г.

“Pompeii. Step into eternity ”, fragment. 2017

Gray ash, black scorched grass and coals crackling with the last, terrible sparkle. The killed land, killed nature, killed soul are constant motives, permanent images of Kupalyan’s works. And a dog covered with the ashes of Vesuvius and turned into a modest monument to human indifference and oblivion.

“When I wandered around the dead city, I was most struck by the fact that in Pompeii the dogs were kept on a very short leash, and when the eruption of Vesuvius began, the tied up animals could not escape from burning lava.”

6. Black Christ

“Black Christ”

3. «Черный Христос», фрагмент. 2014-2015 гг.

Shape Of A New Life. Hiroshima. 2018

The series of works titles “The Death of Cities”, created especially for the exhibition at the VS Unio, presents the mystical world of dying civilizations through the language of painting, based on the artist’s impressions of traveling in Italy, the experience of training at the Academy of Fine Arts of Naples, encountering with the traces of cruel cataclysms and natural disasters.

1. Shape Of A New Life. Hiroshima. 2018

“Shape Of A New Life. Hiroshima”. 2018

Thirst for serious meanings, an appeal to the eternal themes was relevant for thinking artists in different periods of the history of art. Serious easel painting requires solitude and silence. It always involves the voluntary rejection of many temptations and enticements. Few artists have such stamina these days. But Kupalyan’s art is encouraging evidence that masterpieces are still possible.

The Art Of Passover

The eight-day festival of Passover is celebrated in the early spring, from the 15th through the 22nd of the Hebrew month of Nissan, April 10–18, 2017 (Hebrew year 5777).
Happy Passover to those who celebrate. !חג פסח שמח
For Jews around the world, the Pesach Seder is an excellent occasion to gather at a large table, eat, drink and recall the exodus from Egypt.

For the great painters of the Renaissance, the ritual served as an inexhaustible source of inspiration.

Here is how Leonardo da Vinci painted the Seder of 13 Nisan 3793 on the wall of the refectory of the Dominican convent of Santa Maria delle Grazie in Milan. The painting dates from 1495-1498:
Below is the engraving of Albrecht Dürer, created in 1523, from collection of the New York Metropolitan Museum. St John is easily recognized here not only by the absence of a beard, but also by his place at the festive table. It is unclear, though, where the Jesus’s favorite pupil hid his legs. Judas is conspicuously absent, perhaps not to spoil the festive mood.Still below, is the amusing painting of Paolo Veronese “The Feast in the House of Levi”. Originally it was also called “The Last Supper”, but it had to be renamed after the intervention of the Inquisition, accusing the artist of an unfaithful depiction of the event. Veronese’s Last Supper is different from the canonical description by the evangelists. The Seder begins after the stars come out, however Veronese’s Seder feast takes place in the light of the day. The main objection, though, was the “composition” of the participants  — too many people that shouldn’t have been in the presence of Jesus at His Last Supper. The problem went away when the feast has been moved to the “house of Levi”. The canvas of epic proportions (one and a half times larger than Leonardo’s fresco) occupies the entire wall of the Venetian Academy:
The famous canvas of Tintoretto (Jacopo Robusti), created in Venice almost 100 years after the masterpiece of Leonardo. The painting is exhibited in the Basilica of San Giorgio Maggiore on the island of the same name. In the best baroque traditions, it depicts Jesus and his disciples at the festive table in the 16th century Venetian trattoria. Curiously, the mighty Inquisition had no problem with Tintoretto who placed a number of extraneous persons onto the canvas. Perhaps, it was because the supper takes place with the stars out?
“The Last Supper” by the Russian artist Nikolai Ge below was presented to the public in the fall of 1863 in the Academy of Arts of St. Petersburg. Church censorship tried to ban it and demanded its removal from the exhibition. The day was saved by Tsar Alexander II intervention. The royal mecenat bought the painting from the artist. Grudgingly, the clerics had to forget about their claims for a while (although the synodal ban on the publication of reproductions in Russia persisted until the February Revolution of 1917).It should be noted that of the five masterpieces above, only Nikolai Ge’s correctly reflected the ritual of the Last Supper: Passover, the exodus of Jews from Egyptian bondage should be celebrated reclining (מסובין) rather than sitting on the chairs around the table. Accordingly, Jesus’s beloved disciple shouldn’t be depicted sitting on the Teacher’s lap as portrayed by Durer, but rather reclined beside Him.

Many other great masters painted the Last Supper, among them Daniele Crespi, Hans Holbein (Hans the Younger), Juan de Juanes, Ugolino da Siena, Duccio di Buoninsegna

Meet The Artist: Pedro Roldán Molina

molina 1.jpg
molina 98molina 2An unusual technique, sunny colors, a fantastic country…

Molina_hudozhnikPedro Roldán Molina is an internationally recognized and well-known Spanish artist. He was born in the province of Cordoba in Rute, Spain, in 1954. He studied art in Barcelona. His work can be seen in major museums around the world.

Currently, Pedro Roldán Molina lives and works in Granada, Spain.

molina 7 molina 4An aura of a perfect dream…molina 8What you see and hear, to some extent, depends on what you are. I believe that each canvas, still life, landscape, in essence, is a self-portrait of the soul. (From a blog featuring  works of Pedro Roldán Molina.)molina 95molina 6molina 91molina 93molina 94

Meet The Artist: Tomek Setowsky

Image result for setowskyTomek Setowski (his web page is in Polish with lots of images) is a Polish artist born, by his own admission, “a very long time ego” in Kraków-Częstochowa Upland. He revealed his artistic talents at the tender age of three.His learning lasted for a long time…BiografiaThe young dreamer honed his painting skills over the years, displaying his works first at local galleries and then moving to the best showrooms of the world.For many years Setowski has been put under the wide notion of surrealism. Only recently it was decided that artists having a similar style fall under “magical realism” or “fantastic realism” and the artists themselves (what is often stressed by Setowski) are closer to Bosch than Salvador Dali. There are not many representatives of this trend in the world, for creating such works deserves a faultless, almost masterly technique and immense imagination. (From an article on Setowski here.)

Meet The Artist: Valentin Gubarev

Валентин Губарев.gifIn today’s world, obsessed with money and “capitalization” of everything including art, the artist Valentin Gubarev stands alone.

The Clear Advantage Of The Circular Point Of View

The Clear Advantage Of The Circular Point Of View

Gubarev doesn’t chase fame. He simply does what he loves to do, and he does it well.

gubarev93

Indian Summer

The artist lives and works in Minsk, Belarus. His work is incredibly popular abroad, but almost unknown to his compatriots.

And I'm worth it!

And I’m Worth It!

In the mid-90s, the French fell in love with Gubarev’s primitive-styled paintings. Consequently, the artist signed the 16 year contract with the French gallery.

Childhood

Childhood

The paintings, which seemingly should be understood and appreciated only by those who is familiar with the Russian life of the Soviet and early post-Soviet period, has been widely exhibited in Switzerland, Germany, the UK and other countries.

Waiting For The Sunrise

Waiting For The Sunrise

The artist perceives the world around his in a very sincere and direct way. Valentin Gubarev doesn’t dream up the subjects for his paintings. Why, if the inspiration is everywhere?

Little Bird

Little Bird

Destroying all the laws of composition and perspective, the artist creates a game of sorts — come with me, walk the walk, be a neighbor, play dominoes, watch your neighbors, chase stray dogs…

Titanik

Titanic

In one of his interviews Valentin Gubarev said that his paintings have no bad guys — no negative personages whatsoever.

Re-reading Schopenhauer

Re-reading Schopenhauer. (Arthur Schopenhauer was a German philosopher. He is best known for his 1818 work The World as Will and Representation.)

“For example, in Slow Dance, a man with a woman are dancing at home. There are champagne and chocolates on the table.”

Slow Dance

Slow Dance

“I am often asked why a man is dancing in his socks? Isn’t it so in real life, too?  Our [Russian] man comes to visit a lady. He wants to please and impress with his manners. Of course, he takes off his shoes. A “man in socks” is no longer a macho — at once he becomes “domesticated,” easy to handle.  A man in socks in woman’s house is a gift of god.”gubarev4

“I love them all and I treat them with compassion,” says Gubarev. “The people on my canvasses are neither heroic nor particularly attractive. They are often not well off and not always carefree and happy.

Inspiration

Inspiration

Night Dreams

Night Dreams

gubarev84gubarev81

gubarev83
gubarev6

gubarev82

Meet The Artist: Claude Verlinde

verl

Claude Verlinde is a French painter who works in the vein of “fantastic realism”, sometimes called “magic realism”, and his work shows the lineage of fantastical art from Bruegel and Bosch to the Surrealists and contemporary magic realists. He was born June 24, 1927 in Paris, his lineage is Flemish.  claude verlinde 15
Early on, the school art teacher pointed out young Claude’s artistic talent to his parents and persuaded  them to enroll their son in an art school.ver1

He entered the Académie de la Grande Chaumière. His studies, however, were interrupted by the German occupation.
ver2
While the Verlinde family escaped the occupied Paris, the family home was destroyed. ver3

Returning to Paris, Claude resumes his artistic pursuits at the  School of Fine Arts in Paris.
He also attended workshop of anatomical drawing of the Grande Chaumiere.

The turning point of his life as a young artist came on the day he declined an unexpected and lucrative offer of a position of a lead designer of public projects in a large company, to paint freely.Claude Verlinde  (14).jpg

His often darkly themed works employ the dark earth tones of the early Renaissance, as well as some of the visual staging and precise rendering characteristic of that period. He sometimes uses a brighter palette, but his work always has a feeling of referencing another time, if not another world.
ver5.jpg

There is a trove of larger versions on the Russian Blog Beyond time, beyond space. There are also galleries on beinArt Surreal Art Collective and Ten Dreams.

Golden Adele

klimt.jpgGustav Klimt kept no diary. In a rare writing called Commentary on a non-existent self-portrait, he modestly admits,

 “I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women…There is nothing special about me. I am a painter who paints day after day from morning to night…Whoever wants to know something about me… ought to look carefully at my pictures.”

Portrait of Adele Bloch-Bauer I (1907) is one of the most notable works of Klimt’s “Golden Phase.” It has a tumultuous biography, this portrait. Both the portrait and the woman on it, to be sure. Love, lust, jealousy, death, bequest, reversal of fortunes, war, occupation, expropriation, immigration, international courts of law… The story of this picture’s travails is truly amazing. Since 2006, the portrait is exhibited at the Neue Galerie, New York.

All of the above is just to feature this GIF image. Klimt would’ve been pleased… or, perhaps, horrified?Klimt Gif.gif

Bosch 500

bosch7 Hieronymus Bosch, who is also called Jeroen Bosch, lived in ‘s-Hertogenbosch (also  known as Den Bosch) from 1450 to 1516.bosch4 In 2016, 500 years after Hieronymus Bosch died, the Art Center will organize a range of special exhibitions and activities. The entire town has become a virtual museum. Bosch is everywhere…

This slideshow requires JavaScript.

Interesting that in the painter’s native town no original paintings of the master remains. Not a single item. Thus it looked like an impossible dream that this provincial Dutch city will be able to collect enough items for the anniversary exhibition. However, from February 13 to May 8 of this year, 20 paintings and 19 drawings by Bosch arrived from Spain, Italy, France, Germany, Austria, Belgium, Holland and the USA.

From Paris (Louvre) came Ship of Fools.fools.jpg  Death and the Miser  arrived from Washington.Hieronymus_Bosch_-_Death_and_the_Miser_-_Google_Art_ProjectThe Haywain Triptich (The Hay Wagon) left Spain (Prado) for the first time in 500 years.bosch_hieronymus-the_haywain_triptych In spite of fears that the “non-touristic” ‘s-Hertogenbosch will not attract visitors, the exhibition tickets were sold in the first two weeks.

There is a deep symbolism in the fact that after five centuries after Bosch’s death his art came back to the city where it was created. Nearly everything that is known about the life of Hieronymus Bosch is closely linked to ‘s-Hertogenbosch, his hometown. Here, around 1450, Jeroen van Aken was born in a family of painters. Here, at the age of thirty, he got married and lived in ‘s-Hertogenbosch all his comfortable, filled with creativity life.

There is a mystery about Hieronymus Bosch: How could a little-traveled provincial painter, who lived away from the major art centers and never made any long journeys, so acutely feel the nerve of his era? Where have he picked up a truly comprehensive knowledge that makes his paintings an encyclopedia of the 15th century life: science, medicine, alchemy, architecture, military, craft, shipbuilding, folklore, music, fashion, flora and fauna? In search of answers, we again return to ‘s-Hertogenbosch.town.jpgThe city center, although 500 years passed since the master’s death, still remains timelessly unchanged. Bosch, should he’d miraculously reappeared on one of the side streets, would’ve been able to find the way to his father’s house on the market square and its own workshop nearby, without much difficulty. Just as 500 years ago, on market days, the square is overflowing with flowers, cheeses and fish, the water is gurgling in the medieval fountain, and the bells of the cathedral toll by the hour.

One of the major attractions is the Gothic St. John’s Cathedral, one of the finest Gothic churches of the Netherlands. janDuring the life of Bosch the cathedral was nearly completed. 16 exterior arches — double flying buttresses — are decorated with 96 stone sculptures, wonderfully alive, truly “boschian.”  jan3Artisans, musicians, fantastic beasts and birds… Bosch must have seen them, remembered from childhood, flying buttresses of the cathedral with their riders — like the bridge from ‘s-Hertogenbosch to the creativity of her famous native.

This slideshow requires JavaScript.

From ‘s-Hertogenbosch Bosch exhibition will travel to Madrid, the Prado Museum. The Prado’s  Bosch exhibit will show off virtually all the paintings and graphics of the master.